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Submissions from 2011

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Macao monuments : in art, in poetry and in your face, Carol ARCHER and Christopher KELEN

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Questioning diaspora : mobility, mutation, and historiography of the Shaw brothers film studio, Darrell William DAVIS

炮製娛樂的邵氏快手 : 井上梅次的幾個意義, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

東亞電影驚奇 : 中港日韓, Darrell William DAVIS (戴樂為); Yueh Yu, Emilie YEH (葉月瑜); and Wai Man WONG (黃慧敏)

Aesthetic properties, Rafael DE CLERCQ

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Modern architecture and the concept of harmony, Rafael DE CLERCQ

Denmark, Mette HJORT

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Small Cinemas: How They Thrive and Why They Matter, Mette HJORT

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The problem with provocation : On Lars von Trier, enfant terrible of Danish art film, Mette HJORT

Beyond boundaries : east and west cross-cultural encounters, Ying Ling, Michelle HUANG

Introduction, Ying Ling, Michelle HUANG

The influence of Japanese expertise on the British reception of Chinese painting, Ying Ling, Michelle HUANG

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1940至1959香港親中報章刊載的藝術家活動年表 = A chronology of artists' activities in pro-Beijing newspapers in Hong Kong between 1940-1959, Suk Mun, Sophia LAW (羅淑敏)

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Being in traditional Chinese landscape painting, Suk Mun, Sophia LAW

Preface, Suk Mun, Sophia LAW (羅淑敏)

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Rekindling hearts with art : a community arts project for the young survivors of the Sichuan earthquake, Suk Mun, Sophia LAW

Vietnamese boat people in Hong Kong : visual images and stories, Suk Mun, Sophia LAW

《書譜》年代的老實文化人 : 記曾榮光老師, Suk Mun, Sophia LAW (羅淑敏)

藝術教育新方向 : 以香港嶺南大學視覺藝術文學士課程為例, Suk Mun, Sophia LAW

华语电影工业 : 方法与历史的新探索, Yueh Yu, Emilie YEH (葉月瑜)

导论 : 重探华语电影工业 : 历史的考掘、方法的浮现, Yueh Yu, Emilie YEH (叶月瑜)

從外來語到類型概念 : 「文藝」在早期電影的義涵與應用, Yueh Yu, Emilie YEH (葉月瑜)

“文艺”与中国早期电影的生产与营销 : 一个方法论的开启, Yueh Yu, Emilie YEH (叶月瑜)

跨文化分析的缺陷 : 以“文艺片”和“情节剧”概念为中心的考察, Yueh Yu, Emilie YEH (叶月瑜)

在宏大理論外思索電影研究, Yueh Yu, Emilie YEH (葉月瑜); Chen LU (呂琛); and Kan PENG (彭侃)

音乐与政治 谁绑架了谁, Yueh Yu, Emilie YEH (叶月瑜); Yaxin WANG (王亚欣); Xiaozhou ZHANG (张晓舟); and Bo YANG (杨波)

Submissions from 2010

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Market and marketization in the China film business, Darrell William DAVIS

Technology and (Chinese) ethnicity, Darrell William DAVIS

Presentism and the problem of cross-time relations, Rafael DE CLERCQ

‘I wasn’t expecting that!’ Cognition and shock in Alien’s (1979) chestburster scene, Jonathan FROME

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Affinitive and milieu-building transnationalism: The advance party initiative, Mette HJORT

Lone Scherfig's Italian for beginners, Mette HJORT

Ruan Lingyu : reflections on an individual performance style, Mette HJORT

The Danish directors 2, Mette HJORT

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British interest in Chinese painting, 1881-1910 : the Anderson and Wegener collections of Chinese painting in the British Museum, Ying Ling, Michelle HUANG

Laurence Binyon and the Admonitions Scroll, Ying Ling, Michelle HUANG

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An interdisciplinary approach to art appreciation, Suk Mun, Sophia LAW

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Taipei as Shinjuku's other, Yueh Yu, Emilie YEH

The deferral of pan-Asian : a critical appraisal of film marketization in China, Yueh Yu, Emilie YEH

一个市场化视角的分析 : 后回归时期香港电影的产业与内容变化, Yueh Yu, Emilie YEH (叶月瑜)

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書評 : 香港秘聞 : 也斯的蒙太奇食譜 : 讀《後殖民食物與愛情》, Yueh Yu, Emilie YEH (葉月瑜)

臉 神話的臉 藝術的臉 電影的臉, Yueh Yu, Emilie YEH (葉月瑜)

身体与声音 : 华语歌舞片中的四种表演女性, Yueh Yu, Emilie YEH (叶月瑜) and Hong Feng TANG (唐宏峰)

Submissions from 2009

Aesthetic ideals, Rafael DE CLERCQ

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Scruton on rightness of proportion in architecture, Rafael DE CLERCQ

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The aesthetic creation theory of art, Rafael DE CLERCQ

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The ontology of interactivity, Jonathan FROME

Dogme 95, Mette HJORT

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Living with diversity: what difference can film-making make?, Mette HJORT

On the plurality of cinematic transnationalism, Mette HJORT

The five obstructions, Mette HJORT

Through Japanese eyes : the British reception of Chinese painting, Ying Ling, Michelle HUANG

丁衍庸的東西, Suk Mun, Sophia LAW (羅淑敏)

對焦中國畫 : 國畫的六種閱讀方法, Suk Mun, Sophia LAW

燃點嶺南畫派革新精神, Suk Mun, Sophia LAW (羅淑敏)

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逆境中的藝術 : 嶺南大學"重遇越南社群藝術"展覽, Suk Mun, Sophia LAW (羅淑敏)

绘制华语电影的地图, H., Sheldon LU (鲁晓鹏); Yueh Yu, Emilie YEH (叶月瑜); and Hong Feng TANG (唐宏峰)

American popular music and neocolonialism in the films of Edward Yang, Yueh Yu, Emilie YEH

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Pitfalls of cross-cultural analysis : Chinese wenyi film and melodrama, Yueh Yu, Emilie YEH

評《在電影思考的年代》, Yueh Yu, Emilie YEH (葉月瑜)

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Magic, medicine, cannibalism : the China demon in Hong Kong horror, Yueh Yu, Emilie YEH and Hei Tung, Neda NG

Submissions from 2008

East Asian screen industries, Darrell William DAVIS and Yueh Yu, Emilie YEH

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Lopes on the ontology of Japanese shrines, Rafael DE CLERCQ

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The structure of aesthetic properties, Rafael DE CLERCQ

影像的所在 : 現代性中影像投映與比例, Mary Ann DOANE; Yueh Yu, Emilie YEH (葉月瑜); and Tsai Ling HSU (許采齡)

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Carroll, Noël, Jonathan FROME

Noël Carroll, Jonathan FROME

Why do we care whether link saves the princess?, Jonathan FROME

On the five obstructions, Mette HJORT

Susanne Bier, Mette HJORT

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全球化、市場化與區域合作 : 東亞銀幕工業的新趨勢, Yueh Yu, Emilie YEH (葉月瑜)

無国籍なアジア : 台湾空間におけるボーダレスな冒険, Yueh Yu, Emilie YEH (葉月瑜) and Yoshino SUGAWARA (菅原慶乃)

Submissions from 2007

Cinema Taiwan : politics, popularity, state of the arts, Darrell William DAVIS and Ru Shour, Robert CHEN

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A note on the aesthetics of mirror reversal, Rafael DE CLERCQ

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Melody and metaphorical movement, Rafael DE CLERCQ

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Eight ways videogames generate emotion, Jonathan FROME

Book review : Encyclopedia of the documentary film, Mette HJORT

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Introduction, Mette HJORT and Duncan PETRIE

Introduction, Mette HJORT and Duncan PETRIE

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The cinema of small nations, Mette HJORT and Duncan J. PETRIE

張大千與現代中國畫, Suk Mun, Sophia LAW (羅淑敏)

现代中西绘画对谈, Suk Mun, Sophia LAW

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Globalization and hybridization in cultural production : a tale of two films, Georgette WANG and Yueh Yu, Emilie YEH

文化產品的混雜 (hybridization) 與全球化 : 以迪斯奈版《木蘭》與《臥虎藏龍》為例, Georgette WANG (汪琪) and Yueh Yu, Emilie YEH (葉月瑜)

From Shaw brothers to grand motion picture : localisation of Huangmei diao films, Yueh Yu, Emilie YEH

The road home : stylistic renovations of Chinese Mandarin classics, Yueh Yu, Emilie YEH

從邵氏到國聯 : 黃梅調影片的在地化, Yueh Yu, Emilie YEH (葉月瑜)

東亞銀幕工業 : 全球化、市場化與區域發展, Yueh Yu, Emilie YEH (葉月瑜)

中國和泛亞電影一個批判性的評價, Yueh Yu, Emilie YEH (葉月瑜) and Hu WANG (王湖)

Submissions from 2006

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Presentism and the problem of cross-time relations, Rafael DE CLERCQ

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Representation, reality, and emotions across media, Jonathan FROME

Stanley Kwan's center stage, Mette HJORT

Taiwan : popular cinema's disappearing act, Yueh Yu, Emilie YEH

臺灣之為日本他者 : 近期日本黑幫片一瞥, Yueh Yu, Emilie YEH (葉月瑜) and Sze Wing KWOK (郭詩詠)

Submissions from 2005

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A criterion of diachronic identity based on Locke's Principle, Rafael DE CLERCQ

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Aesthetic terms, metaphor and the nature of aesthetic properties, Rafael DE CLERCQ

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The aesthetic peculiarity of multifunctional artefacts, Rafael DE CLERCQ

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Closer, Rafael DE CLERCQ and Leon HORSTEN

Between conflict and consensus : redux, Mette HJORT

Small nation, global cinema : the new Danish cinema, Mette HJORT