Submissions from 2011
炮製娛樂的邵氏快手 : 井上梅次的幾個意義, Darrell William DAVIS and Yueh Yu, Emilie YEH
東亞電影驚奇 : 中港日韓, Darrell William DAVIS; Yueh Yu, Emilie YEH; and Wai Man WONG (黃慧敏)
Aesthetic properties, Rafael DE CLERCQ
Modern architecture and the concept of harmony, Rafael DE CLERCQ
Denmark, Mette HJORT
Small Cinemas: How They Thrive and Why They Matter, Mette HJORT
The problem with provocation : On Lars von Trier, enfant terrible of Danish art film, Mette HJORT
Beyond boundaries : east and west cross-cultural encounters, Ying Ling, Michelle HUANG
Introduction, Ying Ling, Michelle HUANG
The influence of Japanese expertise on the British reception of Chinese painting, Ying Ling, Michelle HUANG
1940至1959香港親中報章刊載的藝術家活動年表 = A chronology of artists' activities in pro-Beijing newspapers in Hong Kong between 1940-1959, Suk Mun, Sophia LAW (羅淑敏)
Being in traditional Chinese landscape painting, Suk Mun, Sophia LAW
Preface, Suk Mun, Sophia LAW
Rekindling hearts with art : a community arts project for the young survivors of the Sichuan earthquake, Suk Mun, Sophia LAW
Vietnamese boat people in Hong Kong : visual images and stories, Suk Mun, Sophia LAW
《書譜》年代的老實文化人 : 記曾榮光老師, Suk Mun, Sophia LAW
藝術教育新方向 : 以香港嶺南大學視覺藝術文學士課程為例, Suk Mun, Sophia LAW
华语电影工业 : 方法与历史的新探索, Yueh Yu, Emilie YEH
导论 : 重探华语电影工业 : 历史的考掘、方法的浮现, Yueh Yu, Emilie YEH
從外來語到類型概念 : 「文藝」在早期電影的義涵與應用, Yueh Yu, Emilie YEH
“文艺”与中国早期电影的生产与营销 : 一个方法论的开启, Yueh Yu, Emilie YEH
跨文化分析的缺陷 : 以“文艺片”和“情节剧”概念为中心的考察, Yueh Yu, Emilie YEH
在宏大理論外思索電影研究, Yueh Yu, Emilie YEH; Chen LU (呂琛); and Kan PENG (彭侃)
音乐与政治 谁绑架了谁, Yueh Yu, Emilie YEH; Yaxin WANG (王亚欣); Xiaozhou ZHANG (张晓舟); and Bo YANG (杨波)
Submissions from 2010
Market and marketization in the China film business, Darrell William DAVIS
Technology and (Chinese) ethnicity, Darrell William DAVIS
Presentism and the problem of cross-time relations, Rafael DE CLERCQ
Affinitive and milieu-building transnationalism: The advance party initiative, Mette HJORT
Lone Scherfig's Italian for beginners, Mette HJORT
Ruan Lingyu : reflections on an individual performance style, Mette HJORT
The Danish directors 2, Mette HJORT
British interest in Chinese painting, 1881-1910 : the Anderson and Wegener collections of Chinese painting in the British Museum, Ying Ling, Michelle HUANG
Laurence Binyon and the Admonitions Scroll, Ying Ling, Michelle HUANG
An interdisciplinary approach to art appreciation, Suk Mun, Sophia LAW
Taipei as Shinjuku's other, Yueh Yu, Emilie YEH
The deferral of pan-Asian : a critical appraisal of film marketization in China, Yueh Yu, Emilie YEH
一个市场化视角的分析 : 后回归时期香港电影的产业与内容变化, Yueh Yu, Emilie YEH
書評 : 香港秘聞 : 也斯的蒙太奇食譜 : 讀《後殖民食物與愛情》, Yueh Yu, Emilie YEH
臉 神話的臉 藝術的臉 電影的臉, Yueh Yu, Emilie YEH
身体与声音 : 华语歌舞片中的四种表演女性, Yueh Yu, Emilie YEH and Hong Feng TANG (唐宏峰)
Submissions from 2009
Aesthetic ideals, Rafael DE CLERCQ
Scruton on rightness of proportion in architecture, Rafael DE CLERCQ
The aesthetic creation theory of art, Rafael DE CLERCQ
Dogme 95, Mette HJORT
Living with diversity: what difference can film-making make?, Mette HJORT
On the plurality of cinematic transnationalism, Mette HJORT
The five obstructions, Mette HJORT
Through Japanese eyes : the British reception of Chinese painting, Ying Ling, Michelle HUANG
丁衍庸的東西, Suk Mun, Sophia LAW
對焦中國畫 : 國畫的六種閱讀方法, Suk Mun, Sophia LAW
燃點嶺南畫派革新精神, Suk Mun, Sophia LAW
逆境中的藝術 : 嶺南大學"重遇越南社群藝術"展覽, Suk Mun, Sophia LAW
绘制华语电影的地图, H., Sheldon LU (鲁晓鹏); Yueh Yu, Emilie YEH; and Hong Feng TANG (唐宏峰)
American popular music and neocolonialism in the films of Edward Yang, Yueh Yu, Emilie YEH
Pitfalls of cross-cultural analysis : Chinese wenyi film and melodrama, Yueh Yu, Emilie YEH
評《在電影思考的年代》, Yueh Yu, Emilie YEH
Magic, medicine, cannibalism : the China demon in Hong Kong horror, Yueh Yu, Emilie YEH and Hei Tung, Neda NG
Submissions from 2008
East Asian screen industries, Darrell William DAVIS and Yueh Yu, Emilie YEH
Lopes on the ontology of Japanese shrines, Rafael DE CLERCQ
The structure of aesthetic properties, Rafael DE CLERCQ
影像的所在 : 現代性中影像投映與比例, Mary Ann DOANE; Yueh Yu, Emilie YEH; and Tsai Ling HSU (許采齡)
On the five obstructions, Mette HJORT
Susanne Bier, Mette HJORT
全球化、市場化與區域合作 : 東亞銀幕工業的新趨勢, Yueh Yu, Emilie YEH
無国籍なアジア : 台湾空間におけるボーダレスな冒険, Yueh Yu, Emilie YEH and Yoshino SUGAWARA (菅原慶乃)
Submissions from 2007
Cinema Taiwan : politics, popularity, state of the arts, Darrell William DAVIS and Ru Shour, Robert CHEN
A note on the aesthetics of mirror reversal, Rafael DE CLERCQ
Melody and metaphorical movement, Rafael DE CLERCQ
Book review : Encyclopedia of the documentary film, Mette HJORT
Introduction, Mette HJORT and Duncan PETRIE
Introduction, Mette HJORT and Duncan PETRIE
The cinema of small nations, Mette HJORT and Duncan J. PETRIE
張大千與現代中國畫, Suk Mun, Sophia LAW
现代中西绘画对谈, Suk Mun, Sophia LAW
Globalization and hybridization in cultural production : a tale of two films, Georgette WANG and Yueh Yu, Emilie YEH
文化產品的混雜 (hybridization) 與全球化 : 以迪斯奈版《木蘭》與《臥虎藏龍》為例, Georgette WANG (汪琪) and Yueh Yu, Emilie YEH
From Shaw brothers to grand motion picture : localisation of Huangmei diao films, Yueh Yu, Emilie YEH
The road home : stylistic renovations of Chinese Mandarin classics, Yueh Yu, Emilie YEH
從邵氏到國聯 : 黃梅調影片的在地化, Yueh Yu, Emilie YEH
東亞銀幕工業 : 全球化、市場化與區域發展, Yueh Yu, Emilie YEH
中國和泛亞電影一個批判性的評價, Yueh Yu, Emilie YEH and Hu WANG (王湖)
Submissions from 2006
Presentism and the problem of cross-time relations, Rafael DE CLERCQ
Stanley Kwan's center stage, Mette HJORT
Taiwan : popular cinema's disappearing act, Yueh Yu, Emilie YEH
臺灣之為日本他者 : 近期日本黑幫片一瞥, Yueh Yu, Emilie YEH and Sze Wing KWOK (郭詩詠)
Submissions from 2005
A criterion of diachronic identity based on Locke's Principle, Rafael DE CLERCQ
Aesthetic terms, metaphor and the nature of aesthetic properties, Rafael DE CLERCQ
The aesthetic peculiarity of multifunctional artefacts, Rafael DE CLERCQ
Closer, Rafael DE CLERCQ and Leon HORSTEN
Between conflict and consensus : redux, Mette HJORT
Chinese-language film : historiography, poetics, politics, Sheldon H. LU and Yueh Yu, Emilie YEH
Introduction : mapping the field of Chinese-language cinema, Sheldon H. LU and Yueh Yu, Emilie YEH
Globalization and hybridization in cultural products : the cases of Mulan and Crouching Tiger, Hidden Dragon, Georgette WANG and Yueh Yu, Emilie YEH
Taiwan film directors : a treasure island, Yueh Yu, Emilie YEH and Darrell William DAVIS
Submissions from 2004
VCD as programmatic technology : Japanese television drama in Hong Kong, Darrell William DAVIS and Yueh Yu, Emilie YEH
The legitimacy of modern architecture, Rafael DE CLERCQ
Perceptual indiscriminability : in defence of Wright's proof, Rafael DE CLERCQ and Leon HORSTEN
Submissions from 2003
Inoue at Shaws : the Wellspring of youth, Darrell William DAVIS and Yueh Yu, Emilie YEH
青春の泉 : 井上梅次的邵氏電影, Yueh Yu, Emilie YEH and Darrell William DAVIS
Submissions from 2002
The concept of an aesthetic property, Rafael DE CLERCQ
