The road home : stylistic renovations of Chinese Mandarin classics
Document Type
Book chapter
Source Publication
Cinema Taiwan : politics, popularity and state of the arts
Publication Date
1-1-2007
First Page
203
Last Page
216
Publisher
Routledge
Abstract
It is notable that in the recent renaissance of Chinese-language cinema, wenyi and wuxia return together as powerful source materials for filmmakers to venture onto global screens. Examples include "In the Mood for Love" (2000, wenyi); "Hero" (2002, wuxia wenyi); "Yiyi: A One and a Two" (2000, both wenyi wuxia). Wenyi, "literature and art" or literary art, can be described as Chinese melodrama characterized by interior staging, female pathos, and Confucian ethics, while wuxia, martial chivalry, refers to sword-play filems embedded in righteous heroism. Wenyi and wuxia were both staples of the industry from the advent of film production in China at the turn of the twentieth century. Although both disappeared in the Mainland after 1949, they were the backbone of the rationalized, Fordist modes of production in Hong Kong and Taiwan for naerly three decades.
Additional Information
ISBN of the source publication: 9780203964392
Language
English
Recommended Citation
Yeh, E. Y.-y. (2007). The road home: Stylistic renovations of Chinese Mandarin classics. In D. W. Davis & R.-S. R. Chen (Eds.), Cinema Taiwan: Politics, popularity and state of the arts (pp. 203-216). United Kingdom: Routledge.