Submissions from 2018
Early film culture in Hong Kong, Taiwan and Republican China : kaleidoscopic histories, Yueh Yu, Emilie YEH
Submissions from 2017
Zimuzu and media industry in China, Darrell William DAVIS and Yueh Yu, Emilie YEH
Huemer on immigration and the preservation of culture, Rafael DE CLERCQ
Does the debate about cinematic motion rest on a mistake?, Rafael E. P. DE CLERCQ
Colour my growth : a study of art as a language for victims of family violence, Suk Mun, Sophia LAW
Sharing and realization of the vision and practice of art facilitation through service-learning, Suk Mun, Sophia LAW
如何欣赏中国画, Suk Mun, Sophia LAW
Colonial dispositif and the early Hong Kong screen culture (1897-1907), Yueh Yu, Emilie YEH
Policy and economy of co-productions : Hong Kong cinema in the China market, Yueh Yu, Emilie YEH
Submissions from 2016
Book review : Resemblance and representation : an essay in the philosophy of pictures, Rafael DE CLERCQ
Emotion, medium-specificity, and videogame evaluation, Jonathan FROME
Videogame sadness from planetfall to passage, Jonathan FROME
Crossing borders : going transnational with "Danish" film training, capacity building, and talent development, Mette HJORT
Talent development and capacity building in small nations : on the twinning of filmmakers, Mette HJORT
A companion to Nordic cinema, Mette HJORT and Ursula LINDQVIST
Introduction, Mette HJORT and Ursula LINDQVIST
Introduction, Mette HJORT and Ursula LINDQVIST
Introduction, Mette HJORT and Ursula LINDQVIST
Introduction : Nordic cinema : breaking new waves since the dawn of film, Mette HJORT and Ursula LINDQVIST
Establishing reputation : exhibitions of prominent Chinese painters in Britain, 1935-1980, Ying Ling, Michelle HUANG
Expressing an alternative voice : the role of Chinese women painters in mid-twentieth century Britain, Ying Ling, Michelle HUANG
Art as a language for children in need, Suk Mun, Sophia LAW
Art as intervention in serving secondary child victims of family violence : introduction & manual, Suk Mun, Sophia LAW
Reading Chinese painting : beyond forms and colors, a comparative approach to art appreciation, Suk Mun, Sophia LAW
Image writing : the inner world of child victims of family violence, Suk Mun, Sophia LAW and Ming Mun, Sarah TONG
Idart : pedagogical approaches through art, Suk Mun, Sophia LAW and Bellini YU
Introduction, Ursula LINDQVIST and Mette HJORT
Introduction, Ursula LINDQVIST and Mette HJORT
Introduction, Ursula LINDQVIST and Mette HJORT
Remaking Ozu : Hou Hsiao-hsien’s Café Lumière, Yueh Yu, Emilie YEH
演译“影戏” : 华语电影系谱与早期香港电影, Yueh Yu, Emilie YEH
台灣電影百年漂流 : 楊德昌, 侯孝賢, 李安, 蔡明亮, Yueh Yu, Emilie YEH; Darrell William DAVIS; Chihyun TSENG (曾芷筠); Yahsin CHEN (陳雅馨); and Hunghuei LEE (李虹慧)
走出上海 : 早期电影的另类景观, Yueh Yu, Emilie YEH; Xiaocai FENG (冯筱才); Poshek FU (傅葆石); and Hui LIU (刘辉)
导论 : 走出上海 : 早期电影的另类景观, Yueh Yu, Emilie YEH and Hui LIU (刘辉)
I-dArt, art education curriculum for persons with special abilities, Bellini YU and Suk Mun, Sophia LAW
Submissions from 2015
Book review : The aesthetics of design, by Jane Forsey, Rafael DE CLERCQ
The lazy person’s approach to depiction, Rafael DE CLERCQ
Chinese artistic influences on the vorticists in London, Ying Ling, Michelle HUANG
Laurence Binyon : a pioneering and authoritative curator of Chinese painting in early twentieth-century Britain, Ying Ling, Michelle HUANG
Art in service-learning : connecting art and community, Suk Mun, Sophia LAW
New takes on film historiography. Republican cinema redux, an introduction, Yueh Yu, Emilie YEH
Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong, Yueh Yu, Emilie YEH
早期華文報紙電影史料庫, Yueh Yu, Emilie YEH; Xiaocai FENG (馮筱才); Hui LIU (劉暉); and Poshek FU (傅葆石)
Submissions from 2014
A simple solution to the paradox of negative emotion, Rafael DE CLERCQ
Book review : The critical imagination, by James Grant, Rafael DE CLERCQ
Building plans as natural symbols, Rafael DE CLERCQ
Is there a problem with the causal criterion of event identity?, Rafael DE CLERCQ, Wai Yin LAM, and Jiji ZHANG
The Danish directors 3 : dialogues on the new Danish documentary cinema, Mette HJORT, Ib BONDEBJERG, and Eva Novrup REDVALL
A comparative study of online collection databases of Chinese Paintings in British Museums, Ying Ling, Michelle HUANG
Binyon and Nash : British modernists’ conception of Chinese landscape painting, Ying Ling, Michelle HUANG
Introduction, Ying Ling, Michelle HUANG
The reception of Chinese art across cultures, Ying Ling, Michelle HUANG
The invisible citizens of Hong Kong : art and stories of Vietnamese boatpeople, Suk Mun, Sophia LAW
Staging memories : Hou Hsiao-hsien’s A city of sadness, Abé Mark NORNES and Yueh Yu, Emilie YEH
Affording creativity and new media possibilities, Wai Yi, Zoie SO
Bentu : marketplace and sentiments of contemporary Taiwan cinema, Yueh Yu, Emilie YEH
Home is where Hollywood isn’t : recasting East Asian film industries, Yueh Yu, Emilie YEH
Montage of attractions : juxtaposing Lust/Caution, Yueh Yu, Emilie YEH
民國時期的跨文化傳播 : 文藝與文藝電影, Yueh Yu, Emilie YEH
Submissions from 2013
Contemporary representations of Macao : taking off the city, Carol ARCHER
Beauty, Rafael DE CLERCQ
Locke's principle is an applicable criterion of identity, Rafael DE CLERCQ
Reflections on a sofa bed : functional beauty and looking fit, Rafael DE CLERCQ
The metaphysics of art restoration, Rafael DE CLERCQ
Community engagement and film: Toward the pursuit of ethical goals through applied research on moving images, Mette HJORT
The education of the filmmaker in Africa, the Middle East, and the Americas, Mette HJORT
The education of the filmmaker in Europe, Australia, and Asia, Mette HJORT
The acquisition of the Wegener collection of Chinese paintings by the British museum, Ying Ling, Michelle HUANG
The Olga-Julia Wegener and Arthur Morrison collections of Chinese paintings in the British Museum, Ying Ling, Michelle HUANG
也斯與傳統繪畫藝術的對話, Suk Mun, Sophia LAW
馬家寶的寫實主義 : 左翼思潮與香港本土藝術 = Ma Jiabo’s realism : a case study on Hong Kong art, Suk Mun, Sophia LAW (羅淑敏) and Ni Na NG (吳妮娜)
A small history of wenyi, Yueh Yu, Emilie YEH
Elvis, allow me to introduce myself : American music and neocolonialism in Taiwan cinema, Yueh Yu, Emilie YEH
東京女兒, Yueh Yu, Emilie YEH and Hsiao Fu HO (何曉芙)
台北空间里的无国界历险, Yueh Yu, Emilie YEH and Sze Wing KWOK (郭诗咏)
Submissions from 2012
Second coming : the legacy of Taiwan new cinema, Darrell William DAVIS
Architecture, Rafael DE CLERCQ
On some putative graph-theoretic counterexamples to the Principle of the Identity of Indiscernibles, Rafael DE CLERCQ
Film and risk, Mette HJORT
Film review : 1428, Mette HJORT
Film review : Blind Shaft/Mang Jing, Mette HJORT
Film review : KJ : music and life, Mette HJORT
Flamboyant risk taking: Why some filmmakers embrace avoidable and excessive risks, Mette HJORT
Introduction: The film phenomenon and how risk pervades it, Mette HJORT
Connecting art and community through service-learning, Suk Mun, Sophia LAW
Enhancing the study of art and community through service-learning, Suk Mun, Sophia LAW
Visible voices of asylum seekers : the art of Vietnamese boatpeople in Hong Kong, Suk Mun, Sophia LAW
一画一世界 : 教你读懂中国画, Suk Mun, Sophia LAW
「游于藝」的境界 : 曾榮光(1926 - 2005) 的藝術追求, Suk Mun, Sophia LAW (羅淑敏)
Creativity and academic activism : instituting cultural studies, Meaghan MORRIS and Mette HJORT
Institutinal culture : a manifesto with rules, Meaghan MORRIS and Mette HJORT
Introduction : instituting cultural studies, Meaghan MORRIS and Mette HJORT
China, Yueh Yu, Emilie YEH
Wenyi and the branding of early Chinese film, Yueh Yu, Emilie YEH
理想主義的文學院長鍾玲, Yueh Yu, Emilie YEH
朱天文、沈従文との<めぐりあい> : 侯孝賢の自伝映画, Yueh Yu, Emilie YEH; Darrell William DAVIS (デイヴィスダレル ウィリアム); and Jun OGASAWARA (小笠原淳)
Submissions from 2011
Macao monuments : in art, in poetry and in your face, Carol ARCHER and Christopher KELEN
Questioning diaspora : mobility, mutation, and historiography of the Shaw brothers film studio, Darrell William DAVIS
