東京女兒
Alternative Title
Tokyo daughters
Document Type
Journal article
Source Publication
電影欣賞學刊 = Film Appreciation Academic Journal
Publication Date
12-1-2013
Volume
10
Issue
1
First Page
45
Last Page
59
Publisher
國家電影資料館
Keywords
咖啡時光, 小津安二郎, 侯孝賢, 東京暮色, 江文也, Café Lumiere, Yasujiro Ozu, Hou Hsiao-Hsien, Tokyo Twilight, Jiang Wen-Ye
Abstract
《咖啡時光》把小津／侯孝賢這對導演與電影奠基的傳奇之父盧米耶兄弟（Lumiere Brothers）配在一起，片名可理解為“映照下的咖啡館”。這個片名不僅僅是個人經驗的指涉也是跨文化的雙關隱喻，更提供了對於階段性歷史的回顧與綺想。本文將直接檢視文本來指出其相連性，對應性與跨代對話的狀態，試著理解侯孝賢交織於《咖啡時光》中日本女性生活的中日文化政治與電影歷史。透過追尋《咖啡時光》中的敘事時間，陽子平凡的日常生活不僅是揭露一個年輕女性對認識東京的渴望，也提供進入侯孝賢對於電影與歷史的重新審視。
Café Lumiere pairs the Ozu/Hou doublet with the Lumiere brothers, the legendary founding fathers of cinema. Café Lumiere, coffee shop under light, is more than a handy reference to a personal experience and an intercultural wordplay. It is also a historical conceit that offers a look back on historical phases. This paper takes a direct approach to note the textual correlatives, parallels and inter-generational echoes, to reach an understanding of Hou’s design in interweaving the life of a Tokyo woman with the history of cinema and Sino-Japanese cultural politics. By tracing the diegetic time of Café Lumiere, we find that Yoko’s “uneventful” daily activities not only reveal epistemological clues of a young woman’s desire in Tokyo, they also offer points of entry into Hou’s revision of cinema and history.
Print ISSN
10183566
Additional Information
此文亦輯於林文淇、沈曉茵、李振亞 (編著) (編者) (2015)，《戲夢時光 : 侯孝賢電影的城市、歷史、美學》。台北 : 財團法人國家電影中心。
Language
Chinese (Traditional)
Recommended Citation
葉月瑜 (著)、何曉芙 (譯) (2013)。東京女兒 = Tokyo daughters。《電影欣賞學刊 = Film Appreciation Academic Journal》，10(1)，45-59。