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Submissions from 2005

Chinese-language film : historiography, poetics, politics, Sheldon H. LU and Yueh Yu, Emilie YEH

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Introduction : mapping the field of Chinese-language cinema, Sheldon H. LU and Yueh Yu, Emilie YEH

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Globalization and hybridization in cultural products : the cases of Mulan and Crouching Tiger, Hidden Dragon, Georgette WANG and Yueh Yu, Emilie YEH

Taiwan film directors : a treasure island, Yueh Yu, Emilie YEH and Darrell William DAVIS

Submissions from 2004

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VCD as programmatic technology : Japanese television drama in Hong Kong, Darrell William DAVIS and Yueh Yu, Emilie YEH

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The legitimacy of modern architecture, Rafael DE CLERCQ

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Perceptual indiscriminability : in defence of Wright's proof, Rafael DE CLERCQ and Leon HORSTEN

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Melodrama, tears, and life of Oharu, Jonathan FROME

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Helpless spectators : generating suspense in videogames and film, Jonathan FROME and Aaron SMUTS

Submissions from 2003

Inoue at Shaws : the Wellspring of youth, Darrell William DAVIS and Yueh Yu, Emilie YEH

Purity and provocation : Dogme 95, Mette HJORT and Scott MACKENZIE

青春の泉 : 井上梅次的邵氏電影, Yueh Yu, Emilie YEH (葉月瑜) and Darrell William DAVIS (戴樂為)

Submissions from 2002

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The concept of an aesthetic property, Rafael DE CLERCQ

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Two conceptions of response-dependence, Rafael DE CLERCQ

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Autographic and allographic aspects of ritual, Rafael DE CLERCQ and Paul CORTOIS

The postnational self : belonging and identity, Ulf HEDETOFT and Mette HJORT

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Historiography and sinification : music in Chinese cinema of the 1930s, Yueh Yu, Emilie YEH

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Japan hongscreen : Pan-Asian cinemas and flexible accumulation, Yueh Yu, Emilie YEH

台灣 : 國泰與邵氏影業的跨國戰埸, Yueh Yu, Emilie YEH (葉月瑜)

無所不在 : 徐克的電影音樂, Yueh Yu, Emilie YEH (葉月瑜)

青梅竹馬, Yueh Yu, Emilie YEH (葉月瑜)

彈性累積、彈性消費 : 亞太地區的VCD與階段意識, Yueh Yu, Emilie YEH (葉月瑜); Darrell William DAVIS (戴樂為); and Ya Mei LI (李亞梅)

Submissions from 2001

跨文化空間? : 朝向中文電影的詩學, David BORDWELL; Yueh Yu, Emilie YEH (葉月瑜); and Wai Sim LAU (劉慧嬋)

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Warning! Category III : the other Hong Kong cinema, Darrell William DAVIS and Yueh Yu, Emilie YEH

變成好萊塢? : 新紀元的香港電影, Chuck KLEINHANS; Yueh Yu, Emilie YEH (葉月瑜); and Wai Sim LAU (劉慧嬋)

Introduction : centennial reflection on Chinese-language cinemas, Sheldon H. LU and Yueh Yu, Emilie YEH

Poetics and politics of Hou Hsiao-hsien’s films, Yueh Yu, Emilie YEH

什麼是中文電影研究? : 從若干問題談起, Yueh Yu, Emilie YEH (葉月瑜)

《青梅竹馬》一個現代(主義)的戀愛故事, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 2000

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吳念真訪談, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

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Aesthetic ineffability, Rafael DE CLERCQ

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What’s so funny? Reflections on jokes and short films, Mette HJORT

Cinema and nation, Mette HJORT and Scott MACKENZIE

三0年代的中國電影音樂 : 漢化論編史, Yueh Yu, Emilie YEH (葉月瑜)

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《梅花》 : 愛國流行歌曲與族群想像, Yueh Yu, Emilie YEH (葉月瑜)

歌聲魅影 : 歌曲敘事與中文電影, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1999

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The uncertainties of mood : reflections on Brad McGann's POSSUM, Mette HJORT

A life of its own : musical discources in Wong Kar-wai's films, Yueh Yu, Emilie YEH

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台灣新電影 : 本土主義的「他者」, Yueh Yu, Emilie YEH (葉月瑜)

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影像外的敘事策略 : 校園民歌與政宣電影, Yueh Yu, Emilie YEH (葉月瑜)

現代化和本土論述的制衡 : 搖滾樂與現代中文電影的關係, Yueh Yu, Emilie YEH (葉月瑜)

三地傳奇 : 華語電影二十年, Yueh Yu, Emilie YEH (葉月瑜); Pak Tong CHEUK (卓伯棠); and Hao, Daniel WU (吳昊)

自己的生命 : 王家衛電影中的音樂話語, Yueh Yu, Emilie YEH (葉月瑜) and Wei Yi LIANG (梁偉怡)

Submissions from 1998

「花火」: 日本電影傳統的再次引燃, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

音樂與電影的互鳴共舞, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1997

無可言狀 : 小津安二郎的電影風格, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

Emotion and the arts, Mette HJORT

世俗之後 : 德萊葉與超越風格, Yueh Yu, Emilie YEH (葉月瑜)

如果電影不是假的 : 薛克、法斯賓達、通俗劇, Yueh Yu, Emilie YEH (葉月瑜)

當廟街皇后遇到白馬王子 : 「蘇絲黃的世界」中的性別與種族, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1996

Picturing Japaneseness : monumental style, national identity, Japanese film, Darrell William DAVIS

小津的母親, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

國族身份, 流行歌曲與臺灣當代電影 : 一九七零年代中期至一九九零年代初期, Yueh Yu, Emilie YEH (葉月瑜)

「必也, 正名乎!」 : 評《中國新電影》 : 形式、身份、政治, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1995

從民族主義到後現代性 : 臺灣電影與流行歌曲互動之初探 : 1970年中期至1990年中期, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1994

女人真的無法進入歷史嗎? : 再讀「悲情城市」, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1993

The strategy of letters, Mette HJORT

Music video, postmodernism and cultural studies : the case of karaoke, Yueh Yu, Emilie YEH

搖滾樂、次文化, 臺灣電影 : 《牯嶺街少年殺人事件》與歷史記憶, Yueh Yu, Emilie YEH (葉月瑜)

木驢、樹、女人和她們的男人 : 從「阿嬰」談性政治、民族電影及另一種電影的創作, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 1992

Rules and conventions : literature , philosophy, social theory, Mette HJORT