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Submissions from 2017

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Colour my growth : a study of art as a language for victims of family violence, Suk Mun, Sophia LAW

Submissions from 2016

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Book review : Resemblance and representation : an essay in the philosophy of pictures, Rafael DE CLERCQ

Videogame sadness from planetfall to passage, Jonathan FROME

A companion to Nordic cinema, Mette HJORT and Ursula LINDQVIST

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Art as a language for children in need, Suk Mun, Sophia LAW

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Art as intervention in serving secondary child victims of family violence : introduction & manual, Suk Mun, Sophia LAW

Reading Chinese painting : beyond forms and colors, a comparative approach to art appreciation, Suk Mun, Sophia LAW

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Remaking Ozu : Hou Hsiao-hsien’s Café Lumière, Yueh Yu, Emilie YEH

演译“影戏” : 华语电影系谱与早期香港电影, Yueh Yu, Emilie YEH (叶月瑜)

台灣電影百年漂流 : 楊德昌, 侯孝賢, 李安, 蔡明亮, Yueh Yu, Emilie YEH (葉月瑜); Darrell William DAVIS (戴樂為); Chihyun TSENG (曾芷筠); Yahsin CHEN (陳雅馨); and Hunghuei LEE (李虹慧)

走出上海 : 早期电影的另类景观, Yueh Yu, Emilie YEH (叶月瑜); Xiaocai FENG (冯筱才); Poshek FU (傅葆石); and Hui LIU (刘辉)

导论 : 走出上海 : 早期电影的另类景观, Yueh Yu, Emilie YEH (叶月瑜) and Hui LIU (刘辉)

Submissions from 2015

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Book review : The aesthetics of design, by Jane Forsey, Rafael DE CLERCQ

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The lazy person’s approach to depiction, Rafael DE CLERCQ

Chinese artistic influences on the vorticists in London, Ying Ling, Michelle HUANG

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Laurence Binyon : a pioneering and authoritative curator of Chinese painting in early twentieth-century Britain, Ying Ling, Michelle HUANG

Art in service-learning : connecting art and community, Suk Mun, Sophia LAW

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New takes on film historiography. Republican cinema redux, an introduction, Yueh Yu, Emilie YEH

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Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong, Yueh Yu, Emilie YEH

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早期華文報紙電影史料庫, Yueh Yu, Emilie YEH (葉月瑜); Xiaocai FENG (馮筱才); Hui LIU (劉暉); and Poshek FU (傅葆石)

Submissions from 2014

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Book review : The critical imagination, by James Grant, Rafael DE CLERCQ

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Building plans as natural symbols, Rafael DE CLERCQ

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Is there a problem with the causal criterion of event identity?, Rafael DE CLERCQ, Wai Yin LAM, and Jiji ZHANG

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Melodrama and the psychology of tears, Jonathan FROME

The Danish directors 3 : dialogues on the new Danish documentary cinema, Mette HJORT, Ib BONDEBJERG, and Eva Novrup REDVALL

Binyon and Nash : British modernists’ conception of Chinese landscape painting, Ying Ling, Michelle HUANG

Introduction, Ying Ling, Michelle HUANG

The reception of Chinese art across cultures, Ying Ling, Michelle HUANG

The invisible citizens of Hong Kong : art and stories of Vietnamese boatpeople, Suk Mun, Sophia LAW

Staging memories : Hou Hsiao-hsien’s A city of sadness, Abé Mark NORNES and Yueh Yu, Emilie YEH

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Affording creativity and new media possibilities, Wai Yi, Zoie SO

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Bentu : marketplace and sentiments of contemporary Taiwan cinema, Yueh Yu, Emilie YEH

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Home is where Hollywood isn’t : recasting East Asian film industries, Yueh Yu, Emilie YEH

Montage of attractions : juxtaposing Lust/Caution, Yueh Yu, Emilie YEH

民國時期的跨文化傳播 : 文藝與文藝電影 = Cross-cultural communication in the Republican period : on wenyi and wenyi pictures, Yueh Yu, Emilie YEH (葉月瑜)

Submissions from 2013

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Contemporary representations of Macao : taking off the city, Carol ARCHER

Beauty, Rafael DE CLERCQ

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Locke's principle is an applicable criterion of identity, Rafael DE CLERCQ

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Reflections on a sofa bed : functional beauty and looking fit, Rafael DE CLERCQ

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The metaphysics of art restoration, Rafael DE CLERCQ

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Snow White : critics and criteria for the animated feature film, Jonathan FROME

Community engagement and film: Toward the pursuit of ethical goals through applied research on moving images, Mette HJORT

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The education of the filmmaker in Africa, the Middle East, and the Americas, Mette HJORT

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The education of the filmmaker in Europe, Australia, and Asia, Mette HJORT

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The acquisition of the Wegener collection of Chinese paintings by the British museum, Ying Ling, Michelle HUANG

The Olga-Julia Wegener and Arthur Morrison collections of Chinese paintings in the British Museum, Ying Ling, Michelle HUANG

也斯與傳統繪畫藝術的對話, Suk Mun, Sophia LAW

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馬家寶的寫實主義 : 左翼思潮與香港本土藝術 = Ma Jiabo’s realism : a case study on Hong Kong art, Suk Mun, Sophia LAW (羅淑敏) and Ni Na NG (吳妮娜)

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A small history of wenyi, Yueh Yu, Emilie YEH

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Elvis, allow me to introduce myself : American music and neocolonialism in Taiwan cinema, Yueh Yu, Emilie YEH

東京女兒 = Tokyo daughters, Yueh Yu, Emilie YEH (葉月瑜) and Hsiao Fu HO (何曉芙)

台北空间里的无国界历险, Yueh Yu, Emilie YEH (叶月瑜) and Sze Wing KWOK (郭诗咏)

Submissions from 2012

Architecture, Rafael DE CLERCQ

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On some putative graph-theoretic counterexamples to the Principle of the Identity of Indiscernibles, Rafael DE CLERCQ

Film and risk, Mette HJORT

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Flamboyant risk taking: Why some filmmakers embrace avoidable and excessive risks, Mette HJORT

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Introduction: The film phenomenon and how risk pervades it, Mette HJORT

Connecting art and community through service-learning, Suk Mun, Sophia LAW

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Enhancing the study of art and community through service-learning, Suk Mun, Sophia LAW

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Visible voices of asylum seekers : the art of Vietnamese boatpeople in Hong Kong, Suk Mun, Sophia LAW

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「游于藝」的境界 : 曾榮光(1926 - 2005) 的藝術追求, Suk Mun, Sophia LAW (羅淑敏)

Creativity and academic activism : instituting cultural studies, Meaghan MORRIS and Mette HJORT

China, Yueh Yu, Emilie YEH

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Wenyi and the branding of early Chinese film, Yueh Yu, Emilie YEH

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理想主義的文學院長鍾玲, Yueh Yu, Emilie YEH (葉月瑜)

朱天文、沈従文との<めぐりあい> : 侯孝賢の自伝映画, Yueh Yu, Emilie YEH (葉月瑜); Darrell William DAVIS (デイヴィスダレル ウィリアム); and Jun OGASAWARA (小笠原淳)

Submissions from 2011

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Macao monuments : in art, in poetry and in your face, Carol ARCHER and Christopher KELEN

炮製娛樂的邵氏快手 : 井上梅次的幾個意義, Darrell William DAVIS (戴樂為) and Yueh Yu, Emilie YEH (葉月瑜)

東亞電影驚奇 : 中港日韓 = East Asian screen industries, Darrell William DAVIS (戴樂為); Yueh Yu, Emilie YEH (葉月瑜); and Wai Man WONG (黃慧敏)

Aesthetic properties, Rafael DE CLERCQ

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Modern architecture and the concept of harmony, Rafael DE CLERCQ

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Denmark, Mette HJORT

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Small Cinemas: How They Thrive and Why They Matter, Mette HJORT

Beyond boundaries : east and west cross-cultural encounters, Ying Ling, Michelle HUANG

Introduction, Ying Ling, Michelle HUANG

The influence of Japanese expertise on the British reception of Chinese painting, Ying Ling, Michelle HUANG

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1940至1959香港親中報章刊載的藝術家活動年表 = A chronology of artists' activities in pro-Beijing newspapers in Hong Kong between 1940-1959, Suk Mun, Sophia LAW (羅淑敏)

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Being in traditional Chinese landscape painting, Suk Mun, Sophia LAW

Preface = 序, Suk Mun, Sophia LAW (羅淑敏)

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Rekindling hearts with art : a community arts project for the young survivors of the Sichuan earthquake, Suk Mun, Sophia LAW

Vietnamese boat people in Hong Kong : visual images and stories, Suk Mun, Sophia LAW

《書譜》年代的老實文化人 : 記曾榮光老師, Suk Mun, Sophia LAW (羅淑敏)

藝術教育新方向 : 以香港嶺南大學視覺藝術文學士課程為例, Suk Mun, Sophia LAW

华语电影工业 : 方法与历史的新探索 = Rethink Chinese film industry : new histories, new methods, Yueh Yu, Emilie YEH (葉月瑜)

导论 : 重探华语电影工业 : 历史的考掘、方法的浮现, Yueh Yu, Emilie YEH (叶月瑜)

從外來語到類型概念 : 「文藝」在早期電影的義涵與應用, Yueh Yu, Emilie YEH (葉月瑜)

“文艺”与中国早期电影的生产与营销 : 一个方法论的开启, Yueh Yu, Emilie YEH (叶月瑜)

跨文化分析的缺陷 : 以“文艺片”和“情节剧”概念为中心的考察, Yueh Yu, Emilie YEH (叶月瑜)

在宏大理論外思索電影研究 = Moving beyond grand theory : thoughts on film studies, Yueh Yu, Emilie YEH (葉月瑜); Chen LU (呂琛); and Kan PENG (彭侃)

音乐与政治 谁绑架了谁, Yueh Yu, Emilie YEH (叶月瑜); Yaxin WANG (王亚欣); Xiaozhou ZHANG (张晓舟); and Bo YANG (杨波)

Submissions from 2010

Presentism and the problem of cross-time relations, Rafael DE CLERCQ

‘I wasn’t expecting that!’ Cognition and shock in Alien’s (1979) chestburster scene, Jonathan FROME

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Affinitive and milieu-building transnationalism: The advance party initiative, Mette HJORT

Lone Scherfig's Italian for beginners, Mette HJORT

The Danish directors 2, Mette HJORT

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British interest in Chinese painting, 1881-1910 : the Anderson and Wegener collections of Chinese painting in the British Museum, Ying Ling, Michelle HUANG

Laurence Binyon and the Admonitions Scroll, Ying Ling, Michelle HUANG

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An interdisciplinary approach to art appreciation, Suk Mun, Sophia LAW

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Taipei as Shinjuku's other, Yueh Yu, Emilie YEH

The deferral of pan-Asian : a critical appraisal of film marketization in China, Yueh Yu, Emilie YEH