情理碰撞、尸体纷呈 : 法国古典主义悲剧之主要特征
悲劇, 法國古典主義, 高乃依, 拉辛, 理智與情欲, 詩的正義
Tragedy as a form of stage art flourished in Paris,France during the last two thirds of the 17 t h century,and its major representatives are Pierre Corneille and Jean Racine. Both playwrights depict as a major theme of their dramatic works the conflict between reason and passion,giving us a long series of very sad and touching stories. Viewed in juxtaposition with each other,the works of Corneille seem more grandiose,telling tales of heroic men and women who are willing to sacrifice their love for the honor of their family and interest of their country; Racine’s works seem to evoke greater pathos among the audience because they often present characters who are crushed by their own insatiable desire. In other words,grandeur and pathos are two prominent features that characterize classical French tragedies.
Copyright © 福建师范大学 2015.
丁爾蘇 (2015)。情理碰撞、尸體紛呈 : 法國古典主義悲劇之主要特征。《外國語言文學》，2015(3)，145-148。