Film and the new psychology

Document Type

Journal article

Source Publication

Poetics

Publication Date

4-1-1992

Volume

21

Issue

1-2

First Page

93

Last Page

116

Abstract

This paper identifies and critiques some of the interdisciplinary strategies adopted in recent trends in cinema studies. Prevalent psychological assumptions and normative claims are examined, and some alternative approaches are proposed. Typical theses about narrative in the cinema provide a particular point of focus

DOI

10.1016/0304-422X(92)90024-W

Print ISSN

0304422x

Publisher Statement

Copyright © 1992 Published by Elsevier B.V.

Access to external full text or publisher's version may require subscription.

Full-text Version

Publisher’s Version

Language

English

Recommended Citation

Livingston, P. (1992). Film and the new psychology. Poetics. 21(1-2), 93-116.

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