其他篇名 Alternative Title
Formation and evolution of the theories of the relation between Qing and Jing in classical Chinese poetics
摘要 Abstract
作爲中國古典詩學重要範疇之一，情景歷來爲衆家所論議，被視爲詩歌創作的本質基礎和審美構成。追溯起來，情景説在劉勰、鍾嶸等人的著述中已顯理論離形，觸及“情”“景”二者之關係，但其理論導向，重在解釋“感物”成詩的發生原理，闡述自然之“景”觸動詩人之“情”的引發作用。宋明以來，情景成爲重要的詩學話題，對其理論探討趨於加强，尤其是明人謝榛，園繞情景關係的闡説相對集中和詳明，更明確了其對詩歌本質構成和藝術經營所具有的特定意義，謝氏的相關論述，體現了某種劃時代的標誌性意義。在有清一代詩學領域，有關詩歌情景問題的探討漸趨增多，其中王夫之、吴喬、朱庭珍等人堪稱代表，特别是對於情景關係的辨析，成爲諸家闡發的一個核心問題，其討論的角度或層次呈現多樣化特徵，豐富了情景這一範疇的理論建設。
As one of the important categories in Chinese classical poetics, the theory of feeling and scene has always been discussed by scholars and regarded as the essential foundation and aesthetic composition of poetry creation. Retroactively, the theory of feeling and scene can be found in the writings of Liu Xie and Zhong Rong, involve the relationship between “feeling” and “scene”. However, the theoretical focus was mainly on explaining the occurrence principle of poetry inspired by external objects, elaborating on the triggering effect of natural “scenarios” on poets’ “feelings”. Since the Song and Ming dynasties, the theory of feeling and scene has become an important poetic topic, and theoretical discussions tends to be strengthened. Especially for Xie Zhen, a scholar of the Ming dynasty, his elaboration on the relationship between feeling and scene is relatively concentrated and detailed, further clarifying its specific significance to the essential composition and artistic management of poetry. Xie’s relevant discussions reflected a certain landmark significance. In the field of poetics in the Qing dynasty, discussions on the issue of poetic scenarios gradually increased, with Wang Fuzhi, Wu Qiao, and Zhu Tingzhen being representative figures. Especially the analysis of the relationship between feeling and scene became a core issue explored by many scholars. The diverse perspectives or levels of discussion have enriched the theoretical construction of this category.
關鍵詞 Keywords
情景, 範疇, 詩學, 理論形態, 變化軌跡, The Theory of Feeling and Scene, Category, Poetics, Theoretical Form, Change trajectory
語言 Language
Chinese (Traditional)
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香港嶺南大學中文系(編)，上海古籍出版社(出版)
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參考書目格式 Recommended Citation
鄭利華 (2024)。古典詩學情景説的理論構成及其演化特徵。《嶺南學報》，復刊 第二十二輯，頁61-86。檢自 https://commons.ln.edu.hk/ljcs_new/vol22/iss1/5