其他篇名 Alternative Title
A new examination of the annotated manuscript of Qian Qianyi's Wu Zhi Collection held by Harvard-Yenching Library : a discussion on its compilation and publishing
摘要 Abstract
錢謙益所輯《吾炙集》作爲清初詩歌選集之重要一種，乾隆間雖曾遭禁毁，仍在清代産生了深遠影響。通過對相關序跋、題詞、評注的解讀，可知《吾炙集》的編選乃本乎真性情，標舉風雅，以見詩家之靈心。從錢氏評語亦可窺見其崇尚自然質樸、反對一味模擬復古的詩學主張，以及晚年對於幽憂衰頽的“亡國之音”的不滿情緒。《吾炙集》初以鈔本形式流傳，因遇文網，故秘而未刊，現存有光緒二十八年刊《怡蘭堂叢書》本、光緒三十三年刊《佚叢甲集》本、民國六年刊《虞山叢刻》本三種，各本跋文略述版本之由來，也存有若干疑點，《吾炙集》是否爲未成之書，所收詩家多寡，前人多謂尚待續考。新見哈佛大學燕京圖書館所藏舊鈔本，爲我們進一步研究提供了重要綫索，今蒐集辨析《吾炙集》刊本、鈔本，又考以相關詩文别集，可知傳世本《吾炙集》應非完帙，集中前二十家當是從錢氏原稿所出，而許友一家則並非原貌。另外，許友目下之末二首可能爲方文佚詩，而卷末評語亦非許友詩評，而是錢謙益評方文詩語。
The Wu Zhi Collection, compiled by Qian Qianyi, is a significant anthology of early Qing poetry. Despite being banned during the Qianlong era, it had a profound impact throughout the Qing Dynasty. Analysis of the prefaces, postscripts, inscriptions, and commentaries associated with the collection reveals that its compilation was rooted in authenticity and genuinity, aiming to showcase elegant tastes and the spiritual essence of poets. Qian's own commentaries also reveal his preference for natural simplicity over slavish imitation of antiquity, as well as his late-life dissatisfaction with the "sounds of a lost nation" (wang Guo zhi yin 亡國之音) that reflected melancholy and decay. Initially, the Wu Zhi Collection circulated in manuscript form and remained unpublished due to censorship. Existing printed editions include the Yilantang Congshu 怡蘭堂叢書 version published in the 28th year of the Guangxu era, the Yicong Jia Ji 佚叢甲集 version from the 33rd year of the Guangxu era, and the Yushan Congke 虞山叢刻 version from the 6th year of the Republic of China, each with postscripts briefly tracing the origins of the version, yet certain doubts remain. Whether the Wu Zhi Collection is a complete work, and the number of poets included, have often been points for further investigation. The discovery of an old manuscript in the Harvard-Yenching Library provides critical clues for additional research. Upon collecting and analyzing the printed and manuscript versions of the Wu Zhi Collection and comparing them with related anthologies, it becomes evident that the extant version of the collection is likely incomplete. The poetry of the first twenty poets in the collection likely originated from Qian's own drafts, while the work attributed to Xu You does not reflect its original form. Moreover, the last two poems under Xu You's section might be uncollected works by Fang Wen, and the concluding commentary is not a critique of Xu You's poetry but Qian Qianyi's commentary on Fang Wen's poetry.
關鍵詞 Keywords
《吾炙集》, 錢謙益, 鈔本, 編選, 刊刻, Wu Zhi Collection, Qian Qianyi, manuscript, compilation, publishing
語言 Language
Chinese (Traditional)
版權聲明 Copyright Statement
香港嶺南大學中文系(編)，上海古籍出版社(出版)
共享創意條款 Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
參考書目格式 Recommended Citation
徐洋 (2024)。新見哈佛大學燕京圖書館藏錢謙益《吾炙集》舊鈔本考論 : 兼談此集的編選與刊刻。《嶺南學報》，復刊 第二十一輯，頁191-217。檢自 https://commons.ln.edu.hk/ljcs_new/vol21/iss1/7