其他篇名 Alternative Title
The allegory meaning of anthropomorphic names and animal names in the fables of Zhuang Zi
The allegory meaning of “Zhuangzi” is not completely consistent with the meaning of modern allegories. Under the system of his broad-allegory, self-made anthropomorphic names, carefully chosen or original animal names are the two main name types in his thoughts. Through this method of naming, Zhuangzi concretized abstract thoughts, allowing readers to use anthropomorphic names or animal names as media, which broadened the space for aesthetic imagination, triggered the match between emotion and reason, and enabled readers to experience ideological meaning beyond the literal meaning. In this process, Zhuangzi hid his own existence position, allowed the subjects of different anthropomorphic names and animal names to obtain independence and freedom, part of them had inter-subjectivity, and also allowed them to standardize the allegory narrative structure. At the same time, from the perspective of stylistic development, this naming method also had an important influence on the naming in the character story and the design of Han Fu.
莊子, 寓言, 擬人名, 動物名, 複調, Zhuangzi, allegory, anthropomorphic name, animal name, polyphony
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參考書目格式 Recommended Citation
蘇曉威 (2021)。《莊子》寓言故事主體的擬人名和動物名研究。《嶺南學報》，第十五輯，頁197-220。檢自 https://commons.ln.edu.hk/ljcs_new/vol15/iss1/9
Available for download on Friday, July 01, 2022