其他篇名 Alternative Title
On the thesis of Pan Zhicong’s Shufa ligou (Calligraphy Aesthetics)
摘要 Abstract
明代學者潘之淙《書法離鈎》一書所表述的書法美學中心思想是“取法”與“離法”之間的辯證關係，潘之淙所描述的書法家從“得鈎”、“吞鈎”到“離鈎”的過程，展示出藝術修養的三段式規律：即立志取法→精通法則→離開法則，最後到達無法而法的高妙境地。這與禪學修養的三段式規律是密切相通的。
Ming-dynasty scholar Pan Zhicong’s Shufa ligou (Calligraphy Off the Hook) emphasizes the dialectical relationship between qufa (acquire the rules) and lifa (desert the rules). Pan describes a caligrapher’s three-step process from degou (on the hook), to tungou (master the hook), and to ligou (off the hook), which demonstrates the three phases of his artistic accomplishment: from adopt, to master, and to desert the rules and finally achieve the highest form of artistic freedom. This is closely related to the three stages of Zen Buddhist cultivation.
關鍵詞 Keywords
潘之淙, 書法離鈎, 書法, 美學, 禪學, Pan Zhicong, Shufa ligou (Calligraphy Off the Hook), Calligraphy, Aesthetics, Zen Buddhism
語言 Language
Chinese (Traditional)
版權聲明 Copyright Statement
香港嶺南大學中文系(編)，上海古籍出版社(出版)
共享創意條款 Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
參考書目格式 Recommended Citation
詹杭倫、黄淑鈴 (2021)。論潘之淙《書法離鈎》的書法美學中心思想。《嶺南學報》，復刊 第十四輯，頁223-237。檢自 https://commons.ln.edu.hk/ljcs_new/vol14/iss1/9