This series contains MPhil and PhD theses of Department of Digital Arts and Creative Industries (DA+CI) (previously under the name Department of Visual Studies) as approved by Lingnan University. Unless otherwise stated, fulltext access is available for all theses.

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Theses from 2023

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Gallery film and contemporary Chinese art : on Yang Fudong’s Beyond GOD and Evil-First Chapter and Endless Peaks, Bingxi WANG (王柄羲)

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One chinoiserie, two series : a comparative study of the French L'histoire de l’empereur de la Chine and the English Indian Manner tapestries, Yue WANG (王玥)

Theses from 2020

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Shuttling between image and text : a study on bilingual intertitles in Chinese films, 1922-1931, Chen WANG (王晨)

Theses from 2019

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在60、70年代之交香港文化雜誌的政治性視覺生產初覽, Kin Wah LAU (劉建華)

Theses/Dissertations from 2017

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Hong Kong ink painting : its role in the development of Chinese painting in the second half of the twentieth century and beyond, Hung SHENG (盛虹)

Theses/Dissertations from 2016

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World cinema beyond the periphery : developing film cultures in Bhutan, Mongolia, and Myanmar, Nis GRØN

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Defining community art : theoretical and practical reconstruction, Kei Shun, Samson WONG (王基信)

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Collaboration between art museums and universities in Hong Kong : benefits, difficulties and methods, Yi ZHU (朱軼)

Theses/Dissertations from 2014

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A study of the aesthetics of the Hong Kong built environment : architectural harmonisation versus urban incivility, Kwok Wah TUNG

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Portrayals of women in Chen Hongshou’s figure paintings, Lai Na WAN

Theses/Dissertations from 2013

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The art of Irene Chou (Zhou Luyun, 1924-2011) : a case study of ink painting, Hung SHENG

Theses/Dissertations from 2012

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Extending the local : documentary film festivals in East Asia as sites of connection and communication, Tit Leung CHEUNG

Theses/Dissertations from 2011

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Red-white-blue and Hong Kong Installation Art, Nga Ying LIU

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Appropriateness in design, Wing Man, Karen MA

Theses/Dissertations from 2010

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馬家寶之藝術, Ni Na, Camellia NG (吳妮娜)