Film and the new psychology
Document Type
Journal article
Source Publication
Poetics
Publication Date
4-1-1992
Volume
21
Issue
1-2
First Page
93
Last Page
116
Abstract
This paper identifies and critiques some of the interdisciplinary strategies adopted in recent trends in cinema studies. Prevalent psychological assumptions and normative claims are examined, and some alternative approaches are proposed. Typical theses about narrative in the cinema provide a particular point of focus
DOI
10.1016/0304-422X(92)90024-W
Print ISSN
0304422x
Publisher Statement
Copyright © 1992 Published by Elsevier B.V.
Access to external full text or publisher's version may require subscription.
Full-text Version
Publisher’s Version
Language
English
Recommended Citation
Livingston, P. (1992). Film and the new psychology. Poetics. 21(1-2), 93-116.