Abstract
This article attempts to reexamine the multiple forms of displacement in and of the film to which the new historical era gave rise, and thereby critically engage with the questions of transnational capital flow, global tourism and spectatorship, and textual migration in the case of intertextuality.
Copyright Statement
Copyright © 2018 by Lingnan University. All rights reserved.
Language
English
Recommended Citation
Shie, E. S.-t. (2018). Transnational film production and the tourist gaze: On Hou Hsiao-hsien’s Café Lumière and Flight of the red balloon. Journal of Modern Literature in Chinese, 15(2), 181-207.
COinS