Cross-dressing in Chinese opera

Document Type

Book

Publication Date

4-1-2003

Publisher

Hong Kong University Press

Abstract

The enchantment of the figure of the "male dan" – female impersonator – remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss "mistaken identity" and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture.

ISBN

9789622096035

Publisher Statement

Copyright © Hong Kong University Press 2003. Access to external full text or publisher's version may require subscription.

Language

English

Recommended Citation

Li, S. L. (2003). Cross-dressing in chinese opera. Hong Kong: Hong Kong University Press.

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