Title in English / Translated English

The Ambivalent Paintings of Judy Watson: an Aboriginal Feminist Aesthetic

Staff Serials No.

0103

Authors Name (in English)

Carol ARCHER Dr., Lingnan UniversityFollow

Single Authored / Co-Authored

A. Single-Authored

Non-English Output

N. No

Research Output Type

Journal Article

Publication Date

1-1-2006

Assessment Period Reflected by Research Output

A. Gap Year : 1 Jan 2006 - 30 Sep 2007

Source Journal / Book / Conference Title

In Australian and New Zealand Journal of Art

ISBN / ISSN

14434318

Volume

7

Issue / No.

2

Page No. - First page

62

Page No. - End page

76

Abstract

The central claim of this article is that the paintings of Aboriginal Australian artist Judy Watson instantiate a feminist aesthetic that reflects the artist’s membership of a group with culturally specific ownership of knowledge. It is the first of the three articles I published on my doctoral research, and as such represented an important stage in fulfilling the goal of placing that work in appropriate and high profile venues such as the Australian and New Zealand Journal of Art. This article is significant not simply because it provided a fresh view of the works of Judy Watson, but because, in common with the above-mentioned articles, it adopts an interdisciplinary methodology that combines a rigorous visual and theoretical analysis with the cultural and socio-historical contextualisation so necessary to a comprehensive understanding of the artistic works in question.

Published as of census date

A. Published

Non-traditional output

N. No

Double weighting request

N. No

Keywords

Judy Watson



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