Title

Musicophilia and the lingua musica in Mumbai

Document Type

Journal article

Source Publication

Cultural Studies

Publication Date

2018

Volume

32

Issue

2

First Page

261

Last Page

285

Publisher

Routledge

Keywords

Musicophilia, Hindustani music, Mumbai urbanity, lingua musica, performing modernity

Abstract

Hindustani art music in the metropolis of Bombay/Mumbai played a significant role in the fashioning of both selves and public spaces from the late nineteenth century to the 1960s. With the fall of Awadh in northern India in 1857 and the dispersal of the court that had inherited Hindustani music from the Mughal empire, the singers, instrumentalists and dancers began to migrate in search of new patrons. Many of them found a foothold in Bombay, which came to occupy a central position in assembling the new structures and spaces of performance, pedagogy, recording and consumption of Hindustani music. I suggest that the passion for Hindustani music was strongly linked to the linguistic diversity of Bombay, and that it was the lingua musica which aided the development of the public domain and its cultural vernacular in the twentieth century. Through their musicophilia, the city’s inhabitants engaged in fashioning a subjectivity that emerged through that which they shared.

DOI

10.1080/09502386.2017.1328518

Print ISSN

09502386

E-ISSN

14664348

Publisher Statement

Copyright © 2017 Informa UK Limited, trading as Taylor & Francis Group. Access to external full text or publisher's version may require subscription.

Full-text Version

Publisher’s Version

Language

English

Recommended Citation

Niranjana, T. (2018). Musicophilia and the lingua musica in Mumbai. Cultural Studies, 32(2), 261-285. doi: 10.1080/09502386.2017.1328518

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