A study on the relationship between "The literary mind and the carving of dragon" and "The book of Han : literature and art"
兰州大学学报 (社会科学版) = Journal of Lanzhou University (Social Sciences)
《文心雕龙》, 《汉书·艺文志》, 刘勰, 刘向, 刘歆, The Literary Mind and the Carving of Dragon, The Book of Han: Literature and Art, Liu Xie, Liu Xiang, Liu Xin
The greatness of The Literary Mind and the Carving of Dragon lies in the balancing and interaction of its “narration” and “argumentation” as two distinguished features. Narration reflects Liu Xie’s study and thorough understanding of Buddhism knowledge, from where he further studies and inherits the merit of Liu Xiang’s and his son’s outstanding achievement in the field of document catalogue studies embodied in The Book of Han: Literature and Art. Through reviewing, reflecting, criticising, inferring and deducting in the process of his reading of other masterpieces, Liu Xie has formed his own new and innovative point of view. His The Literary Mind and the Carving of Dragon has formally realized the transfer of compositional style from Liu's emphasis on scripture to emphasis on poems and verses. In this process, Liu Xie was greatly influenced by The Book of Han: Literature and Art in stylistics and stylistic history.
汪春泓 (2016)。《文心雕龙》与《汉书·艺文志》渊源关系研究 = A study on the relationship between "The literary mind and the carving of dragon" and "The book of Han: Literature and art"。《兰州大学学报 (社会科学版) = Journal of Lanzhou University (Social Sciences)》，(6)，1-11。