Title

影像外的敘事策略 : 校園民歌與政宣電影 = Beyond visual narration : college folk songs and policy films

Document Type

Journal article

Source Publication

新聞學研究

Publication Date

4-1-1999

Issue

59

First Page

41

Last Page

65

Publisher

國立政治大學

Keywords

本土主義, 政宣電影, 校園民歌, 修正民族主義, 健康寫實主義電影, 電影音樂, Nativism, Policy Film, Revised Nationalism, College Folk, Health Realism, Film Music

Abstract

流行音樂與電影曾是兩個最緊密配合的傳媒,協助臺灣政府在戰後建構國家認同及國族身份。本論文所探討的議題為:此兩項關係密切的傳媒在建構-現代、反共、儒教的中國認同時,所扮演的角色為何?媒體如何運用其特質來呈現-牢不可破的國家身份?而歷史環境和社會政治變遷又如何重整國族身份的內觀外貌?此外,電影作者又如何運用電影音樂、電影類型及電影風格來進行影像外的政治敘事?為逐一回答這些問題,本文設定以八十年代初期政宣片(《龍的傳人》),健康寫實主義電影(《早安,臺北》),及七十年代的校園民歌運動,來研究流行音樂與電影之互動的演變。分析得知,電影與流行音樂的關係是呈循環的持續狀態;同時,由於中國身份的被質疑,認同政治成為流行音樂重要的主題,在新音樂中不斷以不同的曲式和語言呈現修正型之中國民族主義。於此,在意識型態的轉移和文化商品機制的土等下,形成的國族認同,包含商業、政治與藝術的交互運作。

Popular music and film were the two media most engaged in assisting the state to construct national identity in postwar Taiwan. What role did they play in creating a modern, anti-communist, and Confucian-oriented Chinese identity? How did the media use their specific characteristics to represent an unequivocal Chinese identity? How did historical environments and sociopolitical changes reformulate the makeup of this national identity? How did film directors use film music, genre, and style to respond to the changes? In order to answer these questions, this study examines the relationship between the college folk movement of the 1970s and policy films (Land of the Brave, 1981) and health realist films (Good Morning, Taipei, 1980) of the early 1980s. The analysis shows that identity politics occupied a central role in college folk music and popular cinema, due to the late 1970s' collapse of the concept of nationalism based on a unified Chuina. The combination of this ideological shift and the introduction of advanced cultural commodity apparatuses forms a national identity characterized by shifting loci of commnerce, politics and art.

Print ISSN

10161007

Publisher Statement

Copyright © 1999 Mass Communication Research

Access to external full text or publisher's version may require subscription.

Additional Information

本文曾發表於視覺傳播藝術學會及中國電影史料研究會於1995年9月在台北舉行的「海峽兩岸暨香港電影發展與文化變遷研討會」。

Full-text Version

Publisher’s Version

Recommended Citation

葉月瑜 (1999)。影像外的敘事策略 : 校園民歌與政宣電影 = Beyond visual narration: College folk songs and policy films。《新聞學研究 = Mass Communication Research》,(59),41-65。