Representing the public sphere : the new journalism and its historians

Document Type

Book chapter

Source Publication

Transatlantic print culture, 1880-1940 : emerging media, emerging modernisms

Publication Date

10-2008

First Page

15

Last Page

29

Publisher

Palgrave

Abstract

Although the heuristic concept of the “public sphere” has been frequently used by historians and media scholars of Britain and North America since the translation of Jürgen Habermas’s 1962 book into English in 1989, what we mean by the concept often remains hazy and, as Joad Raymond among others has noted, generally unsatisfactory. This stems from two causes. On the one hand, though Habermas’s account arguably remains the best general theory of the public sphere available, scholars have found much to criticize in it. Some have pointed out that Habermas was eliding normative and historically descriptive categories, and that in fact the idealized Habermasian public sphere, in which private citizens came together to discuss matters of public concern in an influential venue, has never existed in reality (Schudson, Eley). Others have taken Habermas to task for positing a unitary public sphere associated with a rising bourgeoisie as the public sphere. Rather, it should be recognized that there have been multiple publics that have always been oppositional; to characterize the dominant public sphere as the public sphere is itself a political, hegemony-seeking act (Fraser, Mah). In the face of such critiques we might be forgiven for wondering whether the term is even worth saving.

DOI

10.1057/9780230228450_2

Publisher Statement

Access to external full text or publisher's version may require subscription.

Additional Information

ISBN of the source publication: 9780230228450

Full-text Version

Publisher’s Version

Language

English

Recommended Citation

Hampton, M. (2008). Representing the public sphere: The new journalism and its historians. In A. Ardis & P. Collier (Eds.), Transatlantic print culture, 1880-1940: Emerging media, emerging modernisms (pp. 15-29). New York: Palgrave.

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