Title

Beyond Asian? Beyond cinema? Intermediality, the performative and the cosmopolitan in the recent documentary films of Evans Chan

Document Type

Journal article

Source Publication

Asian Cinema : A Publication of the Asian Cinema Studies Society

Publication Date

10-1-2014

Volume

25

Issue

2

First Page

139

Last Page

152

Keywords

intermediality, theatricality, documentary, performance, form and reform

Abstract

In Evans Chan's latest documentary Datong: the Great Society (2011) on the life of would-be Qing Dynasty reformer Kang Youwei and his daughter Kang Tongbi in China, the United States and in exile in Sweden the device of theatrical performance is foregrounded, as it has often been in other documentary films by Chan. To those less familiar with Chan's signature style the decision to employ stage actors rather than film actors, and to eschew the typical drama-documentary's recourse to mimetic pictorial realism can defamiliarize. In this essay it will be argued that the notions of performance and theatricality that permeate much of this auteur director's work, are congruent with both his film-making aesthetic and his intellectual pre-occupations.

DOI

10.1386/ac.25.2.139_1

Print ISSN

1059440X

E-ISSN

20496710

Publisher Statement

Copyright © 2014 Intellect Ltd

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Full-text Version

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Recommended Citation

Ingham, M. (2014). Beyond Asian? Beyond cinema? Intermediality, the performative and the cosmopolitan in the recent documentary films of Evans Chan. Asian Cinema, 25(2), 139-152. doi: 10.1386/ac.25.2.139_1