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Submissions from 2017

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Toward an innovative poetics : Wang Changling on Yi 意 and literary creation, Zongqi CAI

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七言律诗节奏、句法、结构新论, Zongqi CAI

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小令语言艺术研究 : 结构与词境, Zongqi CAI

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欧美汉诗研究中的象形表意神话和想象误读, Zongqi CAI

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王昌龄以“意”为中心的创作论及其唯识学渊源, Zongqi CAI

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领字与慢词节奏丶句法丶结构的创新, Zongqi CAI

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跨文明研究视阈中的中国古典文学研究 : 蔡宗齐教授访谈, Zongqi CAI and Min HE

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郑小琼诗歌的生态诗学表征与政治话语诉求 = Ecopoetic presentation and political appeals in Zheng Xiaoqiong’s poetry, Haomin GONG (龔浩敏) and Jilin LIU (刘继林)

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Reconfiguring class, gender, ethnicity and ethics in Chinese internet culture, Haomin GONG and Xin YANG

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Book review : Internet literature in China, written by Michel Hockx, Heather INWOOD, Margaret HILLENBRAND, and Haomin GONG

Submissions from 2016

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小令语言艺术研究 : 句法之“破”与“立”, Zongqi CAI (蔡宗齊)

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Feng Xiaogang (Chinese New Year Cinema), Haomin GONG

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Unmaking of nationalism : drug addiction and its literary imagination in Bi Shumin’s novel, Haomin GONG

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手机与日常生活变迁 : 从《口信》到《搜索》= Cell phone and changes of our daily lives : from an oral message to caught in the web, Haomin GONG (龚浩敏)

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生態詩學視角及其超越 : 後社會主義情境、打工詩歌和鄭小瓊, Haomin GONG (龔浩敏)

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“看张”的“张力” : 当代“张学”扫描,兼评《零度看张》 = The tension of viewing Eileen Chang : an overview of contemporary scholarship on Eileen Chang, with an review of viewing Eileen Chang at zero degree, Haomin GONG (龚浩敏)

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從《左傳》、《列國志傳》及《新列國志》 鄭伯克段故事看經學通俗化的進程 = Popularizing Confucian values : from the Zuozhuan account of Lord Zhuang of Zheng overcoming his younger brother Duan to the historical novels compiled by Yu Shaoyu and Feng Menglong, Tzu Pin HSU (許子濱)

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禘莫盛於灌 : 由唐寫本《論語》鄭注重探「禘自既灌而往」章的詮解問題, Tzu Pin HSU (許子濱)

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Material fetters and spiritual transcendence : Zhuang Zi and environmental thought, Yim Tze, Charles KWONG

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“多少楼台烟雨中” : 从杜牧诗看自然之道中的历史感, Yim Tze, Charles KWONG (鄺龑子)

師生之間, Yim Tze, Charles KWONG (鄺龑子)

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獻母詩二首, Yim Tze, Charles KWONG (鄺龑子)

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珍惜知足能常樂?, Yim Tze, Charles KWONG (鄺龑子)

白鶴清江, Yim Tze, Charles KWONG (鄺龑子)

雲溪蝶舞, Yim Tze, Charles KWONG (鄺龑子)

香港地區唐代文學研究概況 (2014-2015), Yin Ping, Grace LAU (劉燕萍)

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粵語就係咁唱得! 五六十年代的表演與說唱, Yin Ping, Grace LAU (劉燕萍) and Kin Chong LAW (羅劍創)

談新編崑劇《楊妃夢》, Sau Ieng SI TOU (司徒秀英)

字也活著 : 論紀錄片《東西》對也斯創作的處理與再現, Yan Ho SIU

前汉昌邑王考 = An investigation into Princes Changyi in early Han Dynasty, Chunhong WANG (汪春泓)

吴汝纶诗学初窥, Chunhong WANG (汪春泓)

《文心雕龙》与《汉书·艺文志》渊源关系研究 = A study on the relationship between "The literary mind and the carving of dragon" and "The book of Han : literature and art", Chunhong WANG (汪春泓)

谈前汉吴楚七国之乱及其影响 : 上, Chunhong WANG (汪春泓)

谈前汉吴楚七国之乱及其影响 : 下, Chunhong WANG (汪春泓)

谈前汉吴楚七国之乱及其影响 : 中, Chunhong WANG (汪春泓)

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學者推介書海撈珍 讀在亂世給高中生的書單, Nga Ting WONG (黃雅婷); Ming SING (成名); Yik Fai TAM (譚翼輝); Wai Ying CHAN (陳惠英); and Ping Kuen, Bruce LUI (呂秉權)

我參與也斯紀錄片拍攝的感受, Shuk Han, Mary WONG

評選之後, Shuk Han, Mary WONG

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香港.1960, Shuk Han, Mary WONG (黃淑嫻)

为六书辩护 : 兼论“四体二用”之说不可信, Gang XU (徐刚)

现代文学批评的不同类型, Zidong XU (許子東)

Submissions from 2015

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Introduction : the primacy of sound in Chinese poetry, Zongqi CAI

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Sound over ideograph : the basis of Chinese poetic art, Zongqi CAI

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小令词牌和节奏研究 : 从与近体诗关系的角度展开, Zongqi CAI (蔡宗齊)

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诗歌与意识形态 : “诗经”在汉代的经典化, Zongqi CAI, Haixia CHEN, and Jianguo CAO

汉魏晋五言诗的演变 : 四種诗歌模式与自我呈现 = The matrix of lyric transformation : poetic modes and self-presentation in early Chinese pentasyllabic poetry, Zongqi CAI (蔡宗齐) and Jing CHEN (陈婧)

一個下午, Wai Ying CHAN (陳惠英)

一個黃昏, Wai Ying CHAN (陳惠英)

一隻陶料厚重白底黃色大笑臉茶杯, Wai Ying CHAN (陳惠英)

世界真的這麼大, Wai Ying CHAN (陳惠英)

我的舊居看得見微盪的海波紋, Wai Ying CHAN (陳惠英)

活在夹缝间 : 现代诗的山水与城市, Wai Ying CHAN (陈惠英)

城邦主權論, Wan Kan CHIN

左膠禍港錄 : 香港政治困局大解謎, Wan Kan CHIN (陳云根)

廣東雅言, Wan Kan CHIN (陳云根)

想得出,寫得到, Wan Kan CHIN (陳云根)

深水埗 : 大家捱出頭的地方, Wan Kan CHIN (陳云根)

漢邦中文課本. 第一冊, 天地人, Wan Kan CHIN (陳云根)

經典啟蒙讀本, Wan Kan CHIN (陳云根)

殖民地美學, Wan Kan CHIN (陳云根) and Siu Wai, Isabella YUN (甄小慧)

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Chen Kaige, Haomin GONG

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叶芝诗歌 : 民族的吊诡与东方的悖论 : 论其文化民族主义、身份、主体与东方传统, Haomin GONG (龚浩敏)

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垃圾、位置与生态电影 : 以王久良的纪录片为例, Haomin GONG (龚浩敏)

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斷代的焦慮與政治, Haomin GONG (龔浩敏)

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書評 : 光影折射中主體意識的辯證法 : 評Yiman Wang, Remaking Chinese cinema : through the prism of Shanghai, Hong Kong, and Hollywood, Haomin GONG (龔浩敏)

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民族性、“去政治化”的政治与国家主义 : 对“华语电影”与“中国电影主体性”之争的一个回应, Haomin GONG (龚浩敏)

《左傳》“請安”及相關紀事釋義辨疑 : 《左傳》與《儀禮》互證之一例, Tzu Pin HSU (許子濱)

漢人《詩經》自然興象說發微, Tzu Pin HSU (許子濱)

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兩載與摯友重聚二首, Yim Tze, Charles KWONG (鄺龑子)

從《采桑子》組詞看歐陽修的自然意識, Yim Tze, Charles KWONG (鄺龑子)

民俗与文学 : 古典小说戏曲中的鬼神, Yin Ping, Grace LAU (刘燕萍)

神話、成長與復生 : 論也斯〈養龍人師門〉 = Myth, bildungsroman and resurrection in Yasi’s “Yanglong ren shimen”, Yin Ping, Grace LAU (劉燕萍)

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螺神、任務婚與難題 : 論(唐)《原化記》<吳堪> = Spiral Shell Goddess, errand to marry and plunder type of marriage with arduous problems : discussion of "Wu Kan" in Yuanhua Ji, Yin Ping, Grace LAU (劉燕萍)

粤劇與改編 : 論唐滌生的經典作品, Yin Ping, Grace LAU (劉燕萍) and So Yee, Suyi CHEN (陳素怡)

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再論香港殖民地色彩詞語的廢存 : 從“太平紳士”到街道名稱, Hung Kai LEE (李雄溪)

《小雅.都人士》「綢直如髮」解, Hung Kai LEE (李雄溪)

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新詞探源 : 從“翻叮”說起, Hung Kai LEE

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英華書院與《伊索寓言》的國學化, Hung Kai LEE (李雄溪)

《詩經》辭典述評 : 兼論古籍辭典的編纂, Hung Kai LEE (李雄溪)

《左傳》導讀, Chow Yiu SIN (單周堯) and Tzu Pin HSU (許子濱)

背灯遗恨, Sau Ieng SI TOU (司徒秀英)

也斯的文化之旅 : 以七十年代的日本遊記為例, Yan Ho SIU

前溯與後續 : 論劉克襄散文中的飲食書寫, Yan Ho SIU

從英式到港式 : 論茶餐廳及其飲食的傳承與轉化 = From British to Hong Kong-style : the inheritance and transformation of tea restaurants(cha canting) and their food, Yan Ho SIU (蕭欣浩)

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「經學之傳承與開拓」國際學術會議報導, Yan Ho SIU

詠物與抒情 : 論也斯飲食詩中的融合與轉化, Yan Ho SIU

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体用结合 : 吴汝纶文章学理路, Chunhong WANG (汪春泓)

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《漢書.古今人表》與《漢書.藝文志》淵源關係淺探, Chunhong WANG (汪春泓)

论山水诗与陈郡谢氏之关系 : 兼论“庄、老告退,而山水方滋”, Chunhong WANG (汪春泓)

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與蘇童在荔枝角吃西班牙菜, Shuk Han, Mary WONG (黃淑嫻)

先秦时代的口传与学术传承, Gang XU (徐剛)

論《孟子》與“性”相關之“故”, Gang XU (徐剛)

論《離騷》自序之性質及起源, Gang XU (徐剛)

训诂方法论, Gang XU (徐剛)

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论先秦诸子的分派问题, Gang XU (徐剛)

左傳, Ming ZUOQIU (左丘明), Chow Yiu SIN (單周堯), Tzu Pin HSU (許子濱), and Tsung I JAO (饒宗頤)

Submissions from 2014

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The richness of ambiguity : a Mencian statement and interpretive theory and practice in premodern China, Zongqi CAI (蔡宗齊)

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介绍一种解释近体诗格律的新方法, Zongqi CAI (蔡宗齊)

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早期五言詩新探 : 節奏、句式、結構、詩境 A New Exploration of Early Pentasyllabic Poetry: Rhythms, Syntax, Structures, and Visions, Zongqi CAI (蔡宗齊)

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吶喊的景觀, Wai Ying CHAN (陳惠英)